3 2 1 2 3 1 1 2 3 3 2
I know that the bar clos-es at e-lev-en,

2 3 2 1 2 3 1 1 5 3
but I hope you nev-er fin-ish that beer.

3 2 1 2 3 1 1 2 3 2
You know all the words to “Just Like Heav-en,”

2 3 4 3 2 2 1
and I know why he wrote them

1 2 3 1 1 5
now that you’re stand-ing right

(31) 4 3 4 2
here.

(52) 1′ 1′ 1′ 3′ (53) 1′ 1′
Oh, one night I was bored in bed

5 1′ 1′ 1′ 3′ (52) 2′ 2′
and stalked you on the in-ter-net.

1′ (1’5) 1′ 1′ 3′ (52) 1′ 1′
It’s fem-i-nine in-tu-i-tion,

5 5 1′ 1′ 1′ 1′ 1′ 3′ 7 7 7 7 1′ 1′
’cause I al-ways had a vi-sion of us stand-ing like this.

5 5′ 5′ 5′ 6′ 5′ 4′ 3′
All pressed up in the bath-room line,

1′ 4′ 4′ 4′ 4′ 4′ 3′ 2′ 1′ 4′ 4′ 4′ 4′ 3′
you’re look-ing like an an-gel on the walls of Ver-sailles.

2′ (1’5) 1′ 1′ 3′ (53) 1′ 1′
The most a-live I’ve ev-er been,

5 1′ 1′ 1′ 3′ (75) 1′ 1′
but kiss me and I might drop dead.

1′ 1′ 1′ 3′ (53) 1′ 1′
One night I was bored in bed

5 1′ 1′ 1′ 3′ (52) 2′ 2′
and stalked you on the in-ter-net.

1′ (1’5) 1′ 1′ 3′ (52) 1′ 1′
It’s fem-i-nine in-tu-i-tion,

5 5 1′ 1′ 1′ 1′ 1′ 3′ 7 7 7 7 1′ 1′
’cause I al-ways had a vi-sion of us stand-ing like this.

5 5′ 5′ 5′ 6′ 5′ 4′ 3′
All pressed up in the bath-room line,

1′ 4′ 4′ 4′ 4′ 4′ 3′ 2′ 1′ 4′ 4′ 4′ 4′ 3′
you’re look-ing like an an-gel on the walls of Ver-sailles.

2′ (1’5) 1′ 1′ 3′ (53) 1′ 1′
The most a-live I’ve ev-er been,

5 1′ 1′ 1′ 3′
but kiss me and I

(752) 1′ 7 1′ 7 1′ 7
might…

5 (53) 5 5 (53) 5 5
Pi-sces and a Gem-i-ni,

5 5 5 6 6 6 6 4 4 6 6 5
but I think we might go real-ly nice to-geth-er.

5 (53) 5 5 (53) 5 5
If you let me stay the night,

5 5 5 6 6 6 6 4 4 6 6 5
well, I think I might just have to stay for-ev-er.

1′ (1’53) 1′ 1′ (1’53) 1′ 1′
Pi-sces and a Gem-i-ni,

1′ 1′ 1′ 2′ 2’ 2′ 2′ 1′ (75) 2′ 2′ 1′
but I think we might go real-ly nice to-geth-er.

3′ (3’1’5) 3′ 3′ (3’1’5) 3′ 3′
If you let me stay the night,

3′ 3′ 2′ 2′ 2’ 2′ 2′ 2′ (2’7) 2′ 2′ 1′
well, I think I might just have to stay for-ev-er.

(1’5) 1′ 1′ 3′ (53) 1′ 1′
One night I was bored in bed

5 (641) 6 6 6 5 2 4
and stalked you on the in-ter-net.

3 (1’5) 1′ 1′ 3′ (53) 1′ 1′
It’s fem-i-nine in-tu-i-tion,

5 5 4′ 4′ 4′ 4′ 4′ 3′ 2′ 1′ 7 7 1′ 1′
’cause I al-ways had a vi-sion of us stand-ing like this.

5 (5’3′) 5′ 5′ 6′ 5′ (4’1′) 3′
All pressed up in the bath-room line,

1′ 4′ 4′ 4′ 4′ 4′ 3′ 2′ 1′ 4′ 4′ 4′ 4′ 3′
you’re look-ing like an ang-el on the walls of Ver-sailles.

2′ 5 5 1′ 1′ 2′ 3′ 3′
The most a-live I’ve ev-er been,

1′ 4 4 5 5 (752)
but kiss me and I might,

4′ 4′ 4′ 3′ (2’75)
kiss me and I might,

1′ 1′ 1′ 3′ 7 1′ 1′
kiss me and I might drop dead.

• Artist: Olivia Rodrigo
• Kalimba Brand: Chill Angels

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PLAY A RANDOM SONG

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How To Read The Tabs

SOLFEGE	DO	RE	MI	FA	SO	LA	TI
Letter Notes	C	D	E	F	G	A	B
Number Notes	1	2	3	4	5	6	7

-A dot above a musical note (ex: 1° 2°°) raises it to a higher octave.
-Notes inside a parentheses (ex: (135) ) are played together (slide/glissando)
-The tabs/notes posted on this site are designed to be played on kalimba, but you can also play it on other instruments like: piano ,flute, recorder, ocarina , glockenspiel, clarinet, xylophone, otamatone, and etc. Simply use our online kalimba tab converter to convert the tabs/notes to SOLFEGE (do re mi) or letter notation (C D E).