1′ 2′ 3’ 2′ 3′ 3′ 1′ 2′ 2′ 7
Rose-mar-y, heav-en re-stores you in life.

5 1′ 2′ 3′ 3′
You’re com-ing with me,

1′ 1′ 2′ 3′ 3′ 1′ 2′ 2′ 7
through the ag-ing, the fear-ing, the strife.

7 7 3′ 3′ 7 7 7 1′
It’s the smil-ing on the pack-age,

1′ 1′ (3’7) 3′ 7 7 7
it’s the fac-es in the sand.

1′ 1′ (3’1′) 3′ 7 7 1′ 1′
It’s the thought that moves you up-ward,

1′ (3’7) 3′ 7 7 (1’6) 6
em-brac-ing me with two hands.

(3’1′) 3′ 7 1′ 1′ 1′
Right will take you plac-es,

1′ (3’7) 3′ 7 1′ (1’6)
yeah, may-be to the beach.

1′ 1′ (3’1′) 3′ 7 7 7 7
When your friends they do come cry-ing,

1′ 1′ (3’7) 3′ 7 7 (1’6) 1′ 7 7 1′ 1′
tell them now your pleas-ure’s set up-on slow re-lease.

3′ (5’2′) 3′ (5’2′)
Hey, wait. Great smile.

3′ 3′ 3′ 3′ (5’2′) 3′ 2’ 2′ 3′ 2′
Sen-si-tive to fate, not de-ni-al.

2′ 5′ 6′ 3′ 2′ 1′
But hey, who’s on tri-al?

(3’1’5) 3′ 3′ 3′ 3’ 3′ 3′ 3′ 3’ 3′ 5′ 3′ (3’1′)
It took a life span with no cell-mate, the long way back.

(3’7) 5′ 3′ 5′ 5′ 6′ 3′ 3′ 4′ 3′
San-dy, why can’t we look the oth-er way?

1′ (3’1′) 3′ 7 7 1′
He speaks a-bout trav-el,

1′ 1′ (3’7) 3′ 7 7 7
yeah, we think a-bout the land.

1′ (3’1′) 3′ 7 1′ 1′
We smart like all peo-ples,

(3’7) 7 (1’6) 6
feel-ing real tan.

(3’1′) 3′ 7 1′ 1′ 1′
I could take you plac-es,

1′ 1′ (3’7) 3′ 7 (1’6)
do you need a new man?

1′ 1′ (3’1′) 3′ 7 7 7 7
Wipe the pol-len from the fac-es,

1′ 1′ (3’7) 3′ 7 7 (1’6)
make re-vi-sion to a dream

1′ 7 7 1’ 1′ 1′
while you wait in the van.

3′ (5’2′) 3′ (5’2′)
Hey, wait. Great smile.

3′ 3′ 3′ 3′ (5’2′) 3′ 2’ 2′ 3′ 2′
Sen-si-tive to fate, not de-ni-al.

2′ 5′ 6′ 3′ 2′ 1′
But hey, who’s on tri-al?

(3’1’5) 3′ 3′ 3′ 3’ 3′ 3′ 3′ 3’ 3′ 5′ 3′ (3’1′)
It took a life span with no cell-mate, the long way back.

(3’7) 5′ 3′ 5′ 5′ 6′ 3′ 3′ 4′ 3′
San-dy, why can’t we look the oth-er way?

3′ 5′ 3’ 3′ 3′ 3′ 5′ 3′
You’re weight-less, you are ex-ot-ic.

3′ 3′ 5′ 6′ 6′ 5′ 3′ (5’3′)
You need some-thing for which to care.

(3’7) 5′ 3′ 5′ 5′ 6′ 3′ 3′ 4′ (3’1′)
San-dy, why can’t we look the oth-er way?

7 7 (3’1′) 3′ 7 7 7 7
Leave some shards un-der the bel-ly,

7 7 (3’7) 3′ 7 7 7
lay some grease in-side my hand.

7 7 (3’1′) 3′ 7 7 7 7
It’s a sen-ti-men-tal ju-ry

1′ 1′ (3’7) 3′ 7 7 7 6
and the mak-ings of a good brand.

6 (3’1′) 3′ 7 7 1′ 1′
You’ve come to love me light-ly,

7 7 (3’7) 3′ 7 7 7
yeah, you’ve come to hold me tight.

7 7 (3’1′) 3′ 7 7 1′ 1′
Is this mo-tion ev-er-last-ing,

1′ 1′ (3’7) 3′ 7 (1’6) 1′ 6 5
or do shut-ters pass in the night?

1′ 2′ (3’1′) 4′ 2′ 3′ 3′ 1′ 2′ 2′ 7
Rose-mar-y, oh, heav-en re-stores you in life.

3′ 3′ 3′ 3′ 3’ 3′ 3′ (3’5) 3’ 3′ 5′ 3′ (3’1′)
I spent a life span with no cell-mate, the long way back.

(3’7) 5′ 3′ 5′ 5′ 6′ 3′ 3′ 4′ 3′
San-dy, why can’t we look the oth-er way?

3′ 5′ 3’ 3′ 3′ 3′ 5′ 3′
You’re weight-less, sem-i-e-rot-ic.

3′ 3′ 5′ 6′ 6′ 5′ 3′ (5’7)
You need some-one to take you there.

3′ 5′ 3′ 5′ 5′ 6′ 3′ 3′ 4′ (3’1′)
San-dy, why can’t we look the oth-er way?

5′ 3′ 5′ 5′ 6′ 5′ 3′ 4′ (3’1′)
Why can’t we just play the oth-er game?

5′ 3′ 5′ 5′ 6′ 5′ 3′ 4′ (3’1′)
Why can’t we just look the oth-er way?

• Artist: Interpol
• Kalimba Brand: Chill Angels

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PLAY A RANDOM SONG

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How To Read The Tabs

SOLFEGE	DO	RE	MI	FA	SO	LA	TI
Letter Notes	C	D	E	F	G	A	B
Number Notes	1	2	3	4	5	6	7

-A dot above a musical note (ex: 1° 2°°) raises it to a higher octave.
-Notes inside a parentheses (ex: (135) ) are played together (slide/glissando)
-The tabs/notes posted on this site are designed to be played on kalimba, but you can also play it on other instruments like: piano ,flute, recorder, ocarina , glockenspiel, clarinet, xylophone, otamatone, and etc. Simply use our online kalimba tab converter to convert the tabs/notes to SOLFEGE (do re mi) or letter notation (C D E).