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Lily _ Alan Walker, K-391 & Emelie Hollow - (1,635 Views)

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5
(4)

| 3′ 2′ 3′ 2′ 3′ 6′ 4′
A | 1′ 7 7 1′ 2′ 5′ 3′
| 2′ 3′ 6 5 6 3′ 2′ 1′ 7′

| 3′ 2′ 3′ 2′ 3′ 6′ 4′
B | 4′ 3′ 2′ 1′ 7 7 1′ 2′ 5′ 3′
| 3′ 2′ 1′ 7 6 1′ 3′ 2′ 4′ 6′ 1″ 7′ 6′

| 1″ 6′ 5′ 1″ 6′ 5′ 1″ 7′ 1″
C | 2″ 3″ 3″ 2″ 1″ 2″ 6′
| 1″ 6′ 5′ 1″ 6′ 5′ 1″ 7′ 1″
| 2″ 3″ 3″ 2″ 1″~

| 3′ 2′ 3′ 2′ 3′ 6′ 4′
D | 4′ 3′ 2′ 1′ 7 7 1′ 2′ 5′ 3′
| 3′ 2′ 1′ 2′ 6 6 5 6 3′ 2′
| 3′ [2′ 3′ 2′ 1′ 7] (°fast) 1′ 7 6

| 3′ 3′ 6′ 6′ 4′ 4′ 4′
E | 3′ 2′ 1′ 2′ 2′ 5′ 5′ 3′ 3′ 3′
| 2′ 1′ 2′ 6 6 5 6 3′ 2′
| [2′ 3′ 2′ 1′ 7] (°fast) 1′ 7 6

~ 3′ [2′ 3′ 2′ 1′ 7] (°fast) 1′ 7 6

| 3′ 2′ 3′ 2′ 3′ 6′ 4′
A | 1′ 7 7 1′ 2′ 5′ 3′
| 2′ 3′ 6 5 6 3′ 2′ 1′ 7′

| 1″ 6′ 5′ 1″ 6′ 5′ 1″ 7′ 1″
C | 2″ 3″ 3″ 2″ 1″ 2″ 6′
| 1″ 6′ 5′ 1″ 6′ 5′ 1″ 7′ 1″
| 2″ 3″ 3″ 2″ 1″~

| 3′ 2′ 3′ 2′ 3′ 6′ 4′
D | 4′ 3′ 2′ 1′ 7 7 1′ 2′ 5′ 3′
| 3′ 2′ 1′ 2′ 6 6 5 6 3′ 2′
| 3′ [2′ 3′ 2′ 1′ 7] (°fast) 1′ 7 6

| 3′ 3′ 6′ 6′ 4′ 4′ 4′
E | 3′ 2′ 1′ 2′ 2′ 5′ 5′ 3′ 3′ 3′
| 2′ 1′ 2′ 6 6 5 6 3′ 2′
| [2′ 3′ 2′ 1′ 7] (°fast) 1′ 7 6

~ 3′ [2′ 3′ 2′ 1′ 7] (°fast) 1′ 7 6

| 3′ 3′ 6′ 6′ 4′ 4′ 4′
E | 3′ 2′ 1′ 2′ 2′ 5′ 5′ 3′ 3′ 3′
| 2′ 1′ 2′ 6 6 5 6 3′ 2′
| [2′ 3′ 2′ 1′ 7] (°fast) 1′ 7 6

| 3′ 2′ 3′ 2′ 3′ 6′ 4′
D | 4′ 3′ 2′ 1′ 7 7 1′ 2′ 5′ 3′
| 3′ 2′ 1′ 2′ 6 6 5 6 3′ 2′
| 3′ [2′ 3′ 2′ 1′ 7] (°fast) 1′ 7 6

| 1″ 6′ 5′ 1″ 6′ 5′ 1″ 7′ 1″
| 2″ 3″ 3″ 2″ 1″ 2″ 6′
| 1″ 6′ 5′ 3′ [2′ 3′ 2′ 1′ 7] (°fast) 1′ 7 6

  • Alan Walker, K-391 & Emelie Hollow
  • Calm

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PLAY A RANDOM SONG

How To Read The Tabs

SOLFEGE DO RE MI FA SO LA TI
Letter Notes C D E F G A B
Number Notes 1 2 3 4 5 6 7
-A dot above a musical note (ex: 1째 2째째) raises it to a higher octave.
-Notes inside a parentheses (ex: (135) ) are played together (slide/glissando)
-The tabs/notes posted on this site are designed to be played on kalimba, but you can also play it on other instruments like: piano ,flute, recorder, ocarina , glockenspiel, clarinet, xylophone, otamatone, and etc. Simply use our online kalimba tab converter to convert the tabs/notes to SOLFEGE (do re mi) or letter notation (C D E).
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