3′ 2′ 1′ 2′ 2′
Mis-ter per-fect face,

3′ 2′ 1′ 2′ 2′
Mis-ter here to stay,

1′ 2′ 3′ 2′ 1′ 2′ 3′
Mis-ter looked me in the eye

2′ 1′ 2′ 3′ 2′ 1′ 2′ 3′ 5 (64)
and told me you would nev-er go a-way.

3′ 2′ 1′ 2′ 2′
Ev-‘ry-thing was right,

2′ 1′ 1′ 2′ 3′ 2′ 1′ 2′ 2′ 5′ 2′
Mis-ter I’ve been wait-ing for you all my life.

1′ 2′ 3′ 2′ 1′ 2′ 3’
Mis-ter ev-‘ry sin-gle day

2′ 1′ 2′ 3′ 2′ 1′ 2′ 3′ 5 (64)
un-til the end I will be by your side.

1′ 1′ 1′ 5′ 5′ 5′ 5′ (3’1′) 2′ 1′ 1′ 2′ (1’6)
But that was when I got to know Mis-ter change of heart.

1′ 1′ 5′ 5′ 5′ 5′ (3’1′)
Mis-ter leaves me all a-lone,

1′ 1′ 2′ (1’6)
I fall a-part.

1′ 1′ 5′ 5′ 5′ 5′ (3’1’)
It takes ev-‘ry-thing in me

1′ 1′ (5’3′) 5′ 5′ (3’1′)
just to get up each day,

2′ 1′ (5’2′) 5′ 5′ 5′ (3’5)
but it’s won-der-ful to see

2′ (5’2′) 5′ 3′ 2′
that you’re o-kay.

5′ (3’1’5) 1′ 1′ 5′ 5′ 5′ (3’1’5) 2′
Hel-lo, Mis-ter per-fect-ly fine.

5′ 5′ 3′ 1′ 1′ (5’2′) 5′ 3′ (2’7)
How’s your heart af-ter break-ing mine?

1′ 2′ 3′ 2′ 1′ 2′ 3′ (3’1′)
Mis-ter al-ways at the right place

2′ 1′ 1′ 5′ 3′ (2’7) 1′ 2′ 3′
at the right time, ba-by.

5′ (3’1’5) 1′ 1′ 5′ 5′ 5′ (3’1’5) 2′
Hel-lo, Mis-ter cas-ual-ly cruel,

1′ 1′ 5′ 5′ 3′ 1′ (5’2′) 5′ 5′ 3’ (2’7)
Mis-ter ev-‘ry-thing re-volves a-round you.

1′ 2′ 3′ (4’1’6) 3′ 3′ 2′ 2′ 3′ (1’6)
I’ve been Miss mis-er-y since your good-bye,

3′ (2’7) 2′ 3′ 2′ 1′ 2′ (1’53)
and you’re Mis-ter per-fect-ly fine.

3′ 3′ 3′ 2′ 1′ 2′ 2′
Mis-ter nev-er told me why,

3′ 3′ 3′ 2′ 1′ 2′ 2′ 3′ (64)
Mis-ter nev-er had to see me cry.

1′ 2′ 3′ 2′ 1′ 2′ 3′ 2′ 1′
Mis-ter in-sin-cere a-pol-o-gy

2′ 3′ 2′ 1′ 2′ 3′ 5 6 (64)
so he does-n’t look like the bad guy.

6 3′ 2′ 1′ 2′ 2′
He goes a-bout his day,

1′ 1′ 2′ 3′ 2′ 1′ 2′ 2′ 5′ 2′
for-gets he ev-er e-ven heard my name.

1′ 2′ 3′ 2′ 1′ 2′ 3′ 2′ 1′ 2′ 3′
Well, I thought you might be dif-frent than the rest.

2′ 1′ 2′ 3′ 5 (64)
I guess you’re all the same.

1′ 1′ 1′ 5′ 5′ 5′ 5′ (3’1′)
Be-cause I hear he’s got his arm

2′ 1′ 1′ 2′ (1’6)
’round a brand-new girl.

1′ 1′ 5′ 5′ 5′ 5′ (3’1′)
I’ve been pick-ing up my heart,

2′ 1′ 1′ 1′ 2′ (1’6)
he’s been pick-ing up her.

1′ 1′ 5′ 5′ 5′ (3’1′) 1′ 1′ 5′ 5′ (3’1′)
And I nev-er got past what you put me through,

2′ 1′ (5’2′) 5′ 5′ 5′ 3′
but it’s won-der-ful to see

1′ 1′ (5’2′) 5′ 5′ 3′ 2′
that it nev-er fazed you.

5′ (3’1’5) 1′ 1′ 5′ 5′ 5′ (3’1’5) 2′
Hel-lo, Mis-ter per-fect-ly fine.

5′ 5′ 3′ 1′ 1′ (5’2′) 5′ 3′ (2’7)
How’s your heart af-ter break-ing mine?

1′ 2′ 3′ 2′ 1′ 2′ 3′ (3’1′)
Mis-ter al-ways at the right place

2′ 1′ 1′ 5′ 3′ (2’7) 1′ 2′ 3′
at the right time, ba-by.

5′ (3’1’5) 1′ 1′ 5′ 5′ 5′ (3’1’5) 2′
Hel-lo, Mis-ter cas-ual-ly cruel,

1′ 1′ 5′ 5′ 3′ 1′ (5’2′) 5′ 5′ 3′ (2’7)
Mis-ter ev-‘ry-thing re-volves a-round you.

1′ 2′ 3′ (4’1’6) 3′ 3′ 2′ 2′ 3′ (1’6)
I’ve been Miss mis-er-y since your good-bye,

3′ (2’7) 2′ 3′ 2′ 1′ 2′ (1’53)
and you’re Mis-ter per-fect-ly fine.

5′ 5′ 5′ (5’3′) 3′ 2′ 2′ 3′ (1’6)
So dig-ni-fied in your well-pressed suit,

5′ 5′ 5′ (5’2′) 3′ 2′ 2′ 3′ 1′
so strat-e-gized, all the eyes on you.

5′ 5′ 5′ (5’3′) 3′ 2′ 2′
Sa-shay a-way to your seat.

1′ 1′ 3′ (2’7) 5 5 3′ (2’7)
It’s the best seat in the best room.

5′ 5′ 5′ (5’3′) 3′ 2′ 2′ 3′ (1’6)
Oh, he’s so smug, Mis-ter al-ways wins,

5′ 5′ 5′ (5’2′) 3′ 2′ 2′ (3’1′) 1′
so far a-bove me in ev-ry sense,

5′ 5′ 5′ (5’3′) 5′ 5′ 1” 7′ (5’2’7)
so far a-bove feel-ing an-y-thing.

5′ 5′ 5′ 3′ 2′ 3′ (1’6)
And it’s real-ly such a shame,

1′ 3′ 2′ (2’7)
it’s such a shame,

1′ 3′ 3′ 3′ 2′ 1′ (1’53)
’cause I was Miss here to stay.

3′ 3′ 3′ 2′ 1′ 2′ 2′ 2′ 5′ (2’7)
Now I’m Miss gon-na be al-right some-day.

1′ 2′ 3′ 2′ 1′ 2′ 3′ 2′
And some-day may-be you’ll miss me,

1′ 2′ 3′ 2′ 1′ 2′ 1′ 2’       6
but by then you’ll be Mis-ter too late.

6′ 4#’ 2′ 2′ 6′ 6′ 6′ 4#’ 3′
Good-bye, Mis-ter per-fect-ly fine.

6′ 6′ 4#’ 2′ 2′ 6′ 6′ 4#’ 3′
How’s your heart af-ter break-ing mine?

2′ 3′ 4#’ 3′ 2′ 3′ 4#’ 4#’
Mis-ter al-ways at the right place

3′ 2′ 2′ 6′ 4#’ 3′ 2′ 3′ 4#’
at the right time, ba-by.

6′ 4#’ 2′ 2′ 6′ 6′ 6′ 4#’ 3′
Good-bye, Mis-ter cas-ual-ly cruel,

2′ 2′ 6′ 6′ 4#’ 2′ 6′ 6′ 6′ 4#’ 3′
Mis-ter ev-‘ry-thing re-volves a-round you.

2′ 3′ 4#’ 5′ 4#’ 4#’ 3′ 2′ 4#’ (2’7)
I’ve been Miss mis-er-y for the last time,

4#’ 3′ 3′ 4#’ 3′ 2′ 3′ 2′
and you’re Mis-ter per-fect-ly fine.

6 4#’ 3′ 3′ 3′ 4#’ 3′
You’re per-fect-ly fine.

2′ 3′ 4#’ 3′ 2′ 3′ 4#’
Mis-ter looked me in the eye

3′ 2′ 3′ 4#’ 3′ 2′ 3′ 4#’ 6 (75)
and told me you would nev-er go a-way.

6 7 6 7 6 7 6 4#
You said you’d nev-er go a-way.

• Artist: Taylor Swift
• Kalimba Brand: Chill Angels

---

---

PLAY A RANDOM SONG

---

How To Read The Tabs

SOLFEGE	DO	RE	MI	FA	SO	LA	TI
Letter Notes	C	D	E	F	G	A	B
Number Notes	1	2	3	4	5	6	7

-A dot above a musical note (ex: 1° 2°°) raises it to a higher octave.
-Notes inside a parentheses (ex: (135) ) are played together (slide/glissando)
-The tabs/notes posted on this site are designed to be played on kalimba, but you can also play it on other instruments like: piano ,flute, recorder, ocarina , glockenspiel, clarinet, xylophone, otamatone, and etc. Simply use our online kalimba tab converter to convert the tabs/notes to SOLFEGE (do re mi) or letter notation (C D E).