Scroll down to view kalimba tabs. Pls. comment below if the tab or video is missing.
6 3′ 2’ 6 3′ 2′
The “Who’s Who” of “Who’s That?”
6 3′ 2’ 6 3′ 2′
is poised for the at-tack,
6 3′ 2′ 1′ 6 3′ 2′
but my bare hands paved their paths.
1′ 1’ 3′ 1’ 7 7 3′ 7 6
You don’t get to tell me a-bout “sad.”
2′ 1′ 4′ 4′ 4′ 3’ 1′ 7 7 5′ 7
If you want-ed me dead, you should-’ve just said.
5′ 5′ 7 1′ 7 1′ 6 7
Noth-ing makes me feel more a-live.
1′ 1′ 5′ 1′ 1′ 7 7 1′ 1′ 5′ 5′ 1′ 7 1′ 6
So I leap from the gal-lows and I lev-i-tate down your street,
5′ 1′ 7 7 1′ 1′ 5′ 5′ 1′ 7 1′ 1′
crash the par-ty like a rec-ord scratch as I scream.
3” 2” 2” 5′ 2” 1” 2” 2” 1” 6′
Who’s a-fraid of lit-tle old me?
4 4 (31)
You should be.
6 3′ 2’ 6 3′ 2′
The scan-dal was con-tained.
5 3′ 2’ 5 3′ 2′
The bul-let had just grazed.
6 3′ 2′ 1′ 6 3′ (2’7)
At all costs, keep your good name.
1′ 1’ 3′ 1’ 7 7 3′ 7 6
You don’t get to tell me you feel bad.
1′ 2′ 1′ 4′ 4′ 4′ 3′
Is it a won-der I broke?
1′ 7 7 5′ 7
Let’s hear one more joke.
5′ 5′ 1′ 2’ 3′ 2′ (3’5) 2′ (1’3) 2′
Then we could all just laugh un-til I cry.
1′ 1′ 5′ (1’35) 1′ (752) 7 1′ 1′ (5’72’) 5′ 1′ (752) 1′ (641)
So I leap from the gal-lows and I lev-i-tate down your street,
5′ 1′ 7 7 1′ 1′ 5′ 5′ 1′ (752) 1′ (1’35)
crash the par-ty like a rec-ord scratch as I scream.
(3’1’5) 2′ (2’7) 1′ 2′ 1′ 2′ (2’7) 1′ (64)
Who’s afraid of lit-tle old me?
1′ 1′ 5′ 1′ 1′ 7 7 1′ 1′ (5’2′) 5′ 1′ 7 (1’5) (64)
I was tame, I was gen-tle till the cir-cus life made me mean.
5′ 1′ 7 7 1′ 1′ 5′ 1’ (724) 1′ (1’35)
“Don’t you wor-ry folks, we took out all her teeth.”
(3”1”5′) 2” (2”7′) 5′ 2” 1” 2” (2”7′) 1” (6’4′)
Who’s a-fraid of lit-tle old me?
4′ (4’6) 4′ (3’5) 5 (3’5) 2’ 5 (2’46) 2′ 1′ 6 1′ 2′
Well, you should be, you should be, you should be.
6 (4’4) 5′ 5 (3’5) 2′ 1′ (75) 6 2′ (2’6)
You should be, you should be, you should be.
3′ 3′ 3′ 3′ 2′ 2′ 1′ 2′ 1′ 2′ 6
So tell me ev-’ry-thing is not a-bout me.
6 1′ (2’46) 3′ (3’1’5)
But what if it is?
3′ 3′ 3′ 3′ 2′ 2′ 2′ 1′ 2′ 6
Then say they did-n’t do it to hurt me.
6 1′ (2’46) 3′ (3’1’5)
But what if they did?
3′ 2′ 3′ 6 1′ 2′ 3′ (64) 1′ (2’7) 2′ 2′ 1′ (2’7) 6
I want to snarl and show you just how dis-turbed this has made me.
3′ 2′ 3′ 6 1′ 2′ 3′ (63) 1′ (2’7) 2′ 2′ 1′ (2’7) 6
You would-n’t last an hour in the a-sy-lum where they raised me.
3′ 2′ 3′ 6 1′ 2′ 3′ (64) 1′ (2’7) 2′ 2′ 1′ (2’7) 6
So all you kids can sneak in-to my house with all the cob-webs.
3′ 2′ 3′ 6 1′ 2′ 3′ (63)
I’m al-ways drunk on my own tears.
3′ (2’74) 2′ 2′ 1′ (2’74) 6
Is-n’t that what they all said?
1′ 1′ (3’3) 1’ 3′ 1′ 2’ 2′ 3′ 2′ 1′ 6 1′
That I’ll sue you if you step on my lawn.
1′ 5 (3’3) 5 3′ 1′ 2′ 5 2′ 3′ (2’46) 1′ (641) 1′
That I’m fear-some and I’m wretch-ed and I’m wrong.
1′ 7 (1’3) 5′ 1′ 7 (72) 5 5 4 (61)
Put nar-cot-ics in-to all of my songs,
7 7 1’ 1′ 1′ 5′ 5′ 3′ 6′
and that’s why you’re still sing-ing a-long.
1′ 1′ 5′ (1’35) 1′ (752) 7 1′ 1′ (5’72’) 5′ 1′ (752) 1′ (641)
So I leap from the gal-lows and I lev-i-tate down your street,
5′ 1′ 7 7 1′ 1′ 5′ 5′ 1′ (752) 1′ (1’35)
crash the par-ty like a rec-ord scratch as I scream.
(3’1’5) 2′ (2’7) 1′ 2′ 1′ 2′ (2’7) 1′ (64)
Who’s afraid of lit-tle old me?
1′ 1′ 5′ 1′ 1′ 7 7 1′ 1′ (5’2′) 5′ 1′ 7 (1’5) (64)
I was tame, I was gen-tle till the cir-cus life made me mean.
5′ 1′ 7 7 1′ 1′ 5′ 1’ (724) 1′ (1’35)
“Don’t you wor-ry folks, we took out all her teeth.”
(3”1”5′) 2” (2”7′) 5′ 2” 1” 2” (2”7′) 1” (6’4′)
Who’s a-fraid of lit-tle old me?
4′ (4’6) 4′ (3’5) 5 (3’5) 2’ 5 (2’46) 2′ 1′ 6 1′ 2′ 3′
Well, you should be, you should be, you should be.
5 5 (4’6) 3’ 5 5 (3’7) 2’ 5 5 (2’74) 2′
‘Cause you lured me and you hurt me and you taught me.
1′ 4′ (3’1’5) 5′ (1’3) 1′ 1′ (2’74) (3’57) (2’74) (3’5)
You caged me and then you called me cra-zy.
5 (4’2’6) 3’ 5 (3’57) 2’ 5 (2’74) 2′
I am what I am ‘cause you trained me.
1′ (3’5) 1′ (2’4) (752) 1′ 7 (641)
So who’s a-fraid of me?
1′ (4’1′) 3′ (5’3′) 1′ (2’7) 1′ 3′ (2’4) 2′ 2′ 1′ (64)
So who’s a-fraid of lit-tle old me?
(3’1′) 2′ (2’7) 1′ (2’7) 1′ 2′ 2′ 1′ 6
Who’s a-fraid of lit-tle old me?
- Taylor Swift
- Angry
- Chill Angels
Tools: Tab Converter | Tab Maker |Tuner | Sticker| Windsong Lyre Converter
Trending Tabs
Select a category: Easy | Advanced | Intermediate | All-time
- Blue – Yung Kai (33) Views
- blue by yung kai (30) Views
- Columbina’s Lullaby – Nod-Krai –… (27) Views
- Lost Girl – Deltarune (23) Views
- Yaelokre – Harpy Hare (EASY) (21) Views
- Golden Brown – The Strangler (20) Views
- Aria Math- C418 (short) (20) Views
- Risk It All – Bruno Mars [EASY] (19) Views
- Kalapastangan – fitterkarma (19) Views
- Sailor Song – Gigi Perez (EASY) (19) Views
- Too Sweet – Hozier (CHORUS) (EASY) (19) Views
- Undertale Last Breath Sans Phase 3 (SHORT) (EASY) (19) Views
- Squid Game Season 2 – Mingle Game Round and Round (18) Views
- Bad Apple (18) Views
- Just a Man – Epic: The Musical (17) Views
- The Amazing Digital Circus Theme [EASY] (16) Views
- Clair Obscur: Expedition 33 – Lumiere (15) Views
- Multo – Cup of Joe (EASY) (SHORT) (15) Views
- Haggstrom Minecraft OST – C418 (15) Views
- Cure – AKUGETSU Alien Stage (EASY) (15) Views
(See More)
Comments
- Max mission impossible soundtrack: I tried something else and want to correct my post: 6 6 1° 2° 6 6 3 5 6 6… Jul 21, 18:15
- mission impossible soundtrack: Well I tried to create the iconic part and did: 6 6 6 2° 6 6 3 5 6 6… Jul 21, 18:03
- Request Kalimba Tab: Even if its just a short repetitive demo something about this song makes me emotional tbh all the song related… Jul 21, 04:43
(See More)
How To Read The Tabs
| SOLFEGE | DO | RE | MI | FA | SO | LA | TI |
|---|---|---|---|---|---|---|---|
| Letter Notes | C | D | E | F | G | A | B |
| Number Notes | 1 | 2 | 3 | 4 | 5 | 6 | 7 |
-Notes inside a parentheses (ex: (135) ) are played together (slide/glissando)
-The tabs/notes posted on this site are designed to be played on kalimba, but you can also play it on other instruments like: piano ,flute, recorder, ocarina , glockenspiel, clarinet, xylophone, otamatone, and etc. Simply use our online kalimba tab converter to convert the tabs/notes to SOLFEGE (do re mi) or letter notation (C D E).
