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3’ 3’ 2’ 2’ 2’ 2’ 1’ 2’ 3’ 1’ 1’
You left your type-writ-er at my a-part-ment,
3’ 3’ 3’ 2’ 2’ 2’ 2’ 3’ 1’ 1’
straight from the Tor-tured Po-ets De-part-ment.
3’ 3’ 2’ 2’ 1’ 4’ 3’ 6
I think some things I’ll nev-er say,
5 4’ 3’ 1’ 4’ 3’ 1’ 2’ 1’ 1’
like, “Who us-es type-writ-ers, an-y way?”
6 3’ 2’ 3’ 3’ 2’ 3’ 3’
But you’re in self-sab-o-tage mode,
2’ 1’ 2’ 2’ 2’ 1’ 2’
throw-ing spikes down on the road.
5 2’ 2’ 1’ 1’ 5 5
But I’ve seen this ep-i-sode
5 5 5 6 6
and still loved the show.
2’ 1’
Who else
3’ 2’ (1’5)
de-codes you?
5 2’ 1’ 5 (2’’2’) (1’’1’) 3’ (4’4)
And who’s gon-na hold you like me?
5 2’ 1’ 5 (2’’2’) (1’’1’) 1’ 3’ 4’ 3’ 1’
And who’s gon-na know you if not me?
2’ 2’ 1’ 2’ 2’ 1’ 2’
I laughed in your face and said,
2’ 2’ 2’ 2’ 2’ 1’
“You’re not Dyl-an Thom-as,
2’ 2’ 2’ 1’ 1’
I’m not Pat-ti Smith,
1’ 2’ 2’ 2’ 1’ 1’ 5
this ain’t the Chel-sea Ho-tel.
3 5 5 5 6 6
We’re mod-ern id-i-ots.”
5 2’ 1’ 5 (2’’2’) (1’’1’) 3’ 4’ 3’ 1’
And who’s gon-na hold you like me?
3’ 1’ 2’ 3’
No-bod-y,
(3’5) 2’ 1’ (2’46) 3’
no-f**k-in’-bod-y,
1’ 7 2’ 1’
no-bod-y.
3’ 3’ 2’ 2’ 2’ 1’ 2’ 3’ 1’ 1’
You smoked, then ate sev-en bars of choc-‘late.
3’ 3’ 3’ 2’ 2’ 2’ 2’ 2’ 2’ 2’ 3’ 1’ 1’
We de-clared Char-lie Puth should be a big-ger art-ist.
3’ 3’ 2’ 2’ 1’ 4’ 3’ (64)
I scratch your head, you fall a-sleep
5 5 4’ 3’ 4’ 3’ 1’ 2’ 1’
like a tat-tooed Gold-en Re-triev-er.
6 3’ 2’ 3’ 3’ 2’ 3’
But you a-wak-en with dread,
2’ 1’ 2’ 2’ 2’ 1’
pound-ing nails in your head.
5 2’ 2’ 1’ 5 5 5 5 6 6
But I’ve read this one where you come un-done.
5 2’ 1’
I chose this
3’ 2’ 1’ 1’
cy-clone with you.
5 2’ 1’ 5 (2’’2’) (1’’1’) (3’1’5) 4’
And who’s gon-na hold you like me?
5 2’ 1’ 5 (2’’2’) (1’’1’) 3’ 4’ 3’ 1’
And who’s gon-na know you like me?
2 2 1 2 (31)
Who’s gon-na hold you?
2’ 2’ 1’ 2’ 2’ 1’ 2’
I laughed in your face and said,
2’ 2’ 2’ 2’ 2’ 1’
“You’re not Dyl-an Thom-as,
2’ 2’ 2’ 1’ 1’
I’m not Pat-ti Smith,
1’ 2’ 2’ 2’ 1’ 1’ 5
this aint the Chel-sea Hot-tel.
3 5 5 5 6 6
We’re mod-ern id-i-ots.”
5 2’ 1’ 5 (2’’2’) (1’’1’) 3’ 4’ 3’ 1’
And who’s gon-na hold you like me?
2 2 1 2 3
Who’s gon-na hold you?
2 2 1 2 3
Who’s gon-na hold you?
5’ 1’ 2’ (3’5)
No-bod-y,
2 2 1 2 3
Who’s gon-na hold you?
2 2 1 2 3
Who’s gon-na hold you?
1’ 3’ 4’ 3’
no-bod-y,
2 2 1 2 3
Who’s gon-na hold you,
2 1 2 3
gon-na know you,
2 1 2 3 2 1
gon-na troll you?
5 4 2
no-bod-y.
3 2 1
Who, who?
5’ 5’ 5’ 6’ 3’ 3’ 2’ 2’ 2’ 2’ 2’ 2’ 3’ 3’
Some-times I won-der if you’re gon-na screw this up with me,
5’ 5’ 5’ 6’ 3’ 3’ 2’ 2’ 2’ 2’ 2’ 2’ 1’ 1’
but you told Lu-cy you’d kill your-self if I ev-er leave.
5’ 5’ 5’ 6’ 3’ 2’ 2’ 2’ 2’ 2’ 2’ 2’ 3’ 3’
And I had said that to Jack a-bout you, so I felt seen.
1’ 1’ 4’ 3’ 1’ 4’ 3’ 1’ 1’ 1’ 2’ 1’ 1’
Ev-’ry-one we know un-der-stands why it’s meant to be.
3 5
‘Cause we’re
(2’46) (1’35)
cra-zy.
3’ 1’ 1’
So tell me,
2’ 2’ 1’ 1’ 1’
who else is gon-na
2’1’
know me?
2’ 3’ 2’ 3’ 3’ 3’ 3’ 3’ 3’ 3’ 2’ 3’ 3’
At din-ner you’d take my ring off my mid-dle fin-ger
3’ 3’ 2’ 2’ 1’ 1’
and put it on the one
5 5 5 2’ 1’ 1’ 5
peo-ple put wed-ding rings on,
5 5 5 2’ 1’ 1’ 5
and that’s the clos-est I’ve come
5 2’ 2’ 2’ 2’ 1’
to my heart ex-plod-ing.
2 1 5. 2 1
Who’s gon-na hold you?
4
Me.
2 1 3 2 1
Who’s gon-na know you?
2 1
Me.
2’ 2’ 2’ 2’ 2’ 2’ 1’
And you’re not Dyl-an Thom-as,
2’ 2’ 2’ 1’ 1’
I’m not Pat-ti Smith,
1’ 2’ 2’ 2’ 1’ 1’ 5
this ain’t the Chel-sea Ho-tel.
5 5 5 6 6
We’re two id-i-ots.
2’ 1’ 5 (2’’2’) (1’’1’) (1’’1’)
(Who’s gon-na hold you?
2 2 1 2 3
Who’s gon-na hold you?
2 2 1 2 3
Who’s gon-na hold you?
2 2 1 2 3
Who’s gon-na hold you?
2 2 1 2 3
Who’s gon-na hold you?
2 2 1 2 3
Who’s gon-na hold you,
2 1 2 2
gon-na know you,
2 1 2 3
gon-na troll you?
1’ 5
Ooh, ooh,
5 3
ooh, ooh.)
3’ 3’ 2’ 2’ 2’ 2’ 1’ 2’ 3’ 1’ 1’
You left your type-writ-er at my a-part-ment,
3’ 3’ 2’ 2’ 2’ 2’ 2’ 3’ 1’ 1’
straight from the Tor-tured Po-ets De-part-ment.
2’ 1’ 3’ 2’ 1’
Who else de-codes you?
2’ 1’
(Ooh, ooh.
5 4
Ooh, ooh.
1’ 5
Ooh, ooh.)
- Taylor Swift
- Sad
- Chill Angels
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How To Read The Tabs
| SOLFEGE | DO | RE | MI | FA | SO | LA | TI |
|---|---|---|---|---|---|---|---|
| Letter Notes | C | D | E | F | G | A | B |
| Number Notes | 1 | 2 | 3 | 4 | 5 | 6 | 7 |
-Notes inside a parentheses (ex: (135) ) are played together (slide/glissando)
-The tabs/notes posted on this site are designed to be played on kalimba, but you can also play it on other instruments like: piano ,flute, recorder, ocarina , glockenspiel, clarinet, xylophone, otamatone, and etc. Simply use our online kalimba tab converter to convert the tabs/notes to SOLFEGE (do re mi) or letter notation (C D E).
