3’ 3’ 2’ 2’ 2’ 2’ 1’ 2’ 3’ 1’ 1’
You left your type-writ-er at my a-part-ment,

3’ 3’ 3’ 2’ 2’ 2’ 2’ 3’ 1’ 1’
straight from the Tor-tured Po-ets De-part-ment.

3’ 3’ 2’ 2’ 1’ 4’ 3’ 6
I think some things I’ll nev-er say,

5 4’ 3’ 1’ 4’ 3’ 1’ 2’ 1’ 1’
like, “Who us-es type-writ-ers, an-y way?”

6 3’ 2’ 3’ 3’ 2’ 3’ 3’
But you’re in self-sab-o-tage mode,

2’ 1’ 2’ 2’ 2’ 1’ 2’
throw-ing spikes down on the road.

5 2’ 2’ 1’ 1’ 5 5
But I’ve seen this ep-i-sode

5 5 5 6 6
and still loved the show.

2’ 1’
Who else

3’ 2’ (1’5)
de-codes you?

5 2’ 1’ 5 (2’’2’) (1’’1’) 3’ (4’4)
And who’s gon-na hold you like me?

5 2’ 1’ 5 (2’’2’) (1’’1’) 1’ 3’ 4’ 3’ 1’
And who’s gon-na know you if not me?

2’ 2’ 1’ 2’ 2’ 1’ 2’
I laughed in your face and said,

2’ 2’ 2’ 2’ 2’ 1’
“You’re not Dyl-an Thom-as,

2’ 2’ 2’ 1’ 1’
I’m not Pat-ti Smith,

1’ 2’ 2’ 2’ 1’ 1’ 5
this ain’t the Chel-sea Ho-tel.

3 5 5 5 6 6
We’re mod-ern id-i-ots.”

5 2’ 1’ 5 (2’’2’) (1’’1’) 3’ 4’ 3’ 1’
And who’s gon-na hold you like me?

3’ 1’ 2’ 3’
No-bod-y,

(3’5) 2’ 1’ (2’46) 3’
no-f**k-in’-bod-y,

1’ 7 2’ 1’
no-bod-y.

3’ 3’ 2’ 2’ 2’ 1’ 2’ 3’ 1’ 1’
You smoked, then ate sev-en bars of choc-‘late.

3’ 3’ 3’ 2’ 2’ 2’ 2’ 2’ 2’ 2’ 3’ 1’ 1’
We de-clared Char-lie Puth should be a big-ger art-ist.

3’ 3’ 2’ 2’ 1’ 4’ 3’ (64)
I scratch your head, you fall a-sleep

5 5 4’ 3’ 4’ 3’ 1’ 2’ 1’
like a tat-tooed Gold-en Re-triev-er.

6 3’ 2’ 3’ 3’ 2’ 3’
But you a-wak-en with dread,

2’ 1’ 2’ 2’ 2’ 1’
pound-ing nails in your head.

5 2’ 2’ 1’ 5 5 5 5 6 6
But I’ve read this one where you come un-done.

5 2’ 1’
I chose this

3’ 2’ 1’ 1’
cy-clone with you.

5 2’ 1’ 5 (2’’2’) (1’’1’) (3’1’5) 4’
And who’s gon-na hold you like me?

5 2’ 1’ 5 (2’’2’) (1’’1’) 3’ 4’ 3’ 1’
And who’s gon-na know you like me?

2 2 1 2 (31)
Who’s gon-na hold you?

2’ 2’ 1’ 2’ 2’ 1’ 2’
I laughed in your face and said,

2’ 2’ 2’ 2’ 2’ 1’
“You’re not Dyl-an Thom-as,

2’ 2’ 2’ 1’ 1’
I’m not Pat-ti Smith,

1’ 2’ 2’ 2’ 1’ 1’ 5
this aint the Chel-sea Hot-tel.

3 5 5 5 6 6
We’re mod-ern id-i-ots.”

5 2’ 1’ 5 (2’’2’) (1’’1’) 3’ 4’ 3’ 1’
And who’s gon-na hold you like me?

2 2 1 2 3
Who’s gon-na hold you?

2 2 1 2 3
Who’s gon-na hold you?

5’ 1’ 2’ (3’5)
No-bod-y,

2 2 1 2 3
Who’s gon-na hold you?

2 2 1 2 3
Who’s gon-na hold you?

1’ 3’ 4’ 3’
no-bod-y,

2 2 1 2 3
Who’s gon-na hold you,

2 1 2 3
gon-na know you,

2 1 2 3 2 1
gon-na troll you?

5 4 2
no-bod-y.

3 2 1
Who, who?

5’ 5’ 5’ 6’ 3’ 3’ 2’ 2’ 2’ 2’ 2’ 2’ 3’ 3’
Some-times I won-der if you’re gon-na screw this up with me,

5’ 5’ 5’ 6’ 3’ 3’ 2’ 2’ 2’ 2’ 2’ 2’ 1’ 1’
but you told Lu-cy you’d kill your-self if I ev-er leave.

5’ 5’ 5’ 6’ 3’ 2’ 2’ 2’ 2’ 2’ 2’ 2’ 3’ 3’
And I had said that to Jack a-bout you, so I felt seen.

1’ 1’ 4’ 3’ 1’ 4’ 3’ 1’ 1’ 1’ 2’ 1’ 1’
Ev-’ry-one we know un-der-stands why it’s meant to be.

3 5
‘Cause we’re

(2’46) (1’35)
cra-zy.

3’ 1’ 1’
So tell me,

2’ 2’ 1’ 1’ 1’
who else is gon-na

2’1’
know me?

2’ 3’ 2’ 3’ 3’ 3’ 3’ 3’ 3’ 3’ 2’ 3’ 3’
At din-ner you’d take my ring off my mid-dle fin-ger

3’ 3’ 2’ 2’ 1’ 1’
and put it on the one

5 5 5 2’ 1’ 1’ 5
peo-ple put wed-ding rings on,

5 5 5 2’ 1’ 1’ 5
and that’s the clos-est I’ve come

5 2’ 2’ 2’ 2’ 1’
to my heart ex-plod-ing.

2 1 5. 2 1
Who’s gon-na hold you?

4
Me.

2 1 3 2 1
Who’s gon-na know you?

2 1
Me.

2’ 2’ 2’ 2’ 2’ 2’ 1’
And you’re not Dyl-an Thom-as,

2’ 2’ 2’ 1’ 1’
I’m not Pat-ti Smith,

1’ 2’ 2’ 2’ 1’ 1’ 5
this ain’t the Chel-sea Ho-tel.

5 5 5 6 6
We’re two id-i-ots.

2’ 1’ 5 (2’’2’) (1’’1’) (1’’1’)
(Who’s gon-na hold you?

2 2 1 2 3
Who’s gon-na hold you?

2 2 1 2 3
Who’s gon-na hold you?

2 2 1 2 3
Who’s gon-na hold you?

2 2 1 2 3
Who’s gon-na hold you?

2 2 1 2 3
Who’s gon-na hold you,

2 1 2 2
gon-na know you,

2 1 2 3
gon-na troll you?

1’ 5
Ooh, ooh,

5 3
ooh, ooh.)

3’ 3’ 2’ 2’ 2’ 2’ 1’ 2’ 3’ 1’ 1’
You left your type-writ-er at my a-part-ment,

3’ 3’ 2’ 2’ 2’ 2’ 2’ 3’ 1’ 1’
straight from the Tor-tured Po-ets De-part-ment.

2’ 1’ 3’ 2’ 1’
Who else de-codes you?

2’ 1’
(Ooh, ooh.

5 4
Ooh, ooh.

1’ 5
Ooh, ooh.)

• Artist: Taylor Swift
• Mood: Sad
• Kalimba Brand: Chill Angels

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PLAY A RANDOM SONG

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How To Read The Tabs

SOLFEGE	DO	RE	MI	FA	SO	LA	TI
Letter Notes	C	D	E	F	G	A	B
Number Notes	1	2	3	4	5	6	7

-A dot above a musical note (ex: 1째 2째째) raises it to a higher octave.
-Notes inside a parentheses (ex: (135) ) are played together (slide/glissando)
-The tabs/notes posted on this site are designed to be played on kalimba, but you can also play it on other instruments like: piano ,flute, recorder, ocarina , glockenspiel, clarinet, xylophone, otamatone, and etc. Simply use our online kalimba tab converter to convert the tabs/notes to SOLFEGE (do re mi) or letter notation (C D E).