🔍Advanced Search

The Tortured Poets Department – Taylor Swift

Views: 717 times, 1 view(s) today
https___images.genius.com_060181ac1b325992184cbe693e0318e1.1000x1000x1-1-1200x1200-1 The Tortured Poets Department - Taylor Swift
(Open Bookmarks)

Scroll down to view kalimba tabs. Pls. comment below if the tab or video is missing.

3’ 3’ 2’ 2’ 2’ 2’ 1’ 2’ 3’ 1’ 1’
You left your type-writ-er at my a-part-ment,

3’ 3’ 3’ 2’ 2’ 2’ 2’ 3’ 1’ 1’
straight from the Tor-tured Po-ets De-part-ment.

3’ 3’ 2’ 2’ 1’ 4’ 3’ 6
I think some things I’ll nev-er say,

5 4’ 3’ 1’ 4’ 3’ 1’ 2’ 1’ 1’
like, “Who us-es type-writ-ers, an-y way?”

6 3’ 2’ 3’ 3’ 2’ 3’ 3’
But you’re in self-sab-o-tage mode,

2’ 1’ 2’ 2’ 2’ 1’ 2’
throw-ing spikes down on the road.

5 2’ 2’ 1’ 1’ 5 5
But I’ve seen this ep-i-sode

5 5 5 6 6
and still loved the show.

2’ 1’
Who else

3’ 2’ (1’5)
de-codes you?

5 2’ 1’ 5 (2’’2’) (1’’1’) 3’ (4’4)
And who’s gon-na hold you like me?

5 2’ 1’ 5 (2’’2’) (1’’1’) 1’ 3’ 4’ 3’ 1’
And who’s gon-na know you if not me?

2’ 2’ 1’ 2’ 2’ 1’ 2’
I laughed in your face and said,

2’ 2’ 2’ 2’ 2’ 1’
“You’re not Dyl-an Thom-as,

2’ 2’ 2’ 1’ 1’
I’m not Pat-ti Smith,

1’ 2’ 2’ 2’ 1’ 1’ 5
this ain’t the Chel-sea Ho-tel.

3 5 5 5 6 6
We’re mod-ern id-i-ots.”

5 2’ 1’ 5 (2’’2’) (1’’1’) 3’ 4’ 3’ 1’
And who’s gon-na hold you like me?

3’ 1’ 2’ 3’
No-bod-y,

(3’5) 2’ 1’ (2’46) 3’
no-f**k-in’-bod-y,

1’ 7 2’ 1’
no-bod-y.

3’ 3’ 2’ 2’ 2’ 1’ 2’ 3’ 1’ 1’
You smoked, then ate sev-en bars of choc-‘late.

3’ 3’ 3’ 2’ 2’ 2’ 2’ 2’ 2’ 2’ 3’ 1’ 1’
We de-clared Char-lie Puth should be a big-ger art-ist.

3’ 3’ 2’ 2’ 1’ 4’ 3’ (64)
I scratch your head, you fall a-sleep

5 5 4’ 3’ 4’ 3’ 1’ 2’ 1’
like a tat-tooed Gold-en Re-triev-er.

6 3’ 2’ 3’ 3’ 2’ 3’
But you a-wak-en with dread,

2’ 1’ 2’ 2’ 2’ 1’
pound-ing nails in your head.

5 2’ 2’ 1’ 5 5 5 5 6 6
But I’ve read this one where you come un-done.

5 2’ 1’
I chose this

3’ 2’ 1’ 1’
cy-clone with you.

5 2’ 1’ 5 (2’’2’) (1’’1’) (3’1’5) 4’
And who’s gon-na hold you like me?

5 2’ 1’ 5 (2’’2’) (1’’1’) 3’ 4’ 3’ 1’
And who’s gon-na know you like me?

2 2 1 2 (31)
Who’s gon-na hold you?

2’ 2’ 1’ 2’ 2’ 1’ 2’
I laughed in your face and said,

2’ 2’ 2’ 2’ 2’ 1’
“You’re not Dyl-an Thom-as,

2’ 2’ 2’ 1’ 1’
I’m not Pat-ti Smith,

1’ 2’ 2’ 2’ 1’ 1’ 5
this aint the Chel-sea Hot-tel.

3 5 5 5 6 6
We’re mod-ern id-i-ots.”

5 2’ 1’ 5 (2’’2’) (1’’1’) 3’ 4’ 3’ 1’
And who’s gon-na hold you like me?

2 2 1 2 3
Who’s gon-na hold you?

2 2 1 2 3
Who’s gon-na hold you?

5’ 1’ 2’ (3’5)
No-bod-y,

2 2 1 2 3
Who’s gon-na hold you?

2 2 1 2 3
Who’s gon-na hold you?

1’ 3’ 4’ 3’
no-bod-y,

2 2 1 2 3
Who’s gon-na hold you,

2 1 2 3
gon-na know you,

2 1 2 3 2 1
gon-na troll you?

5 4 2
no-bod-y.

3 2 1
Who, who?

5’ 5’ 5’ 6’ 3’ 3’ 2’ 2’ 2’ 2’ 2’ 2’ 3’ 3’
Some-times I won-der if you’re gon-na screw this up with me,

5’ 5’ 5’ 6’ 3’ 3’ 2’ 2’ 2’ 2’ 2’ 2’ 1’ 1’
but you told Lu-cy you’d kill your-self if I ev-er leave.

5’ 5’ 5’ 6’ 3’ 2’ 2’ 2’ 2’ 2’ 2’ 2’ 3’ 3’
And I had said that to Jack a-bout you, so I felt seen.

1’ 1’ 4’ 3’ 1’ 4’ 3’ 1’ 1’ 1’ 2’ 1’ 1’
Ev-’ry-one we know un-der-stands why it’s meant to be.

3 5
‘Cause we’re

(2’46) (1’35)
cra-zy.

3’ 1’ 1’
So tell me,

2’ 2’ 1’ 1’ 1’
who else is gon-na

2’1’
know me?

2’ 3’ 2’ 3’ 3’ 3’ 3’ 3’ 3’ 3’ 2’ 3’ 3’
At din-ner you’d take my ring off my mid-dle fin-ger

3’ 3’ 2’ 2’ 1’ 1’
and put it on the one

5 5 5 2’ 1’ 1’ 5
peo-ple put wed-ding rings on,

5 5 5 2’ 1’ 1’ 5
and that’s the clos-est I’ve come

5 2’ 2’ 2’ 2’ 1’
to my heart ex-plod-ing.

2 1 5. 2 1
Who’s gon-na hold you?

4
Me.

2 1 3 2 1
Who’s gon-na know you?

2 1
Me.

2’ 2’ 2’ 2’ 2’ 2’ 1’
And you’re not Dyl-an Thom-as,

2’ 2’ 2’ 1’ 1’
I’m not Pat-ti Smith,

1’ 2’ 2’ 2’ 1’ 1’ 5
this ain’t the Chel-sea Ho-tel.

5 5 5 6 6
We’re two id-i-ots.

2’ 1’ 5 (2’’2’) (1’’1’) (1’’1’)
(Who’s gon-na hold you?

2 2 1 2 3
Who’s gon-na hold you?

2 2 1 2 3
Who’s gon-na hold you?

2 2 1 2 3
Who’s gon-na hold you?

2 2 1 2 3
Who’s gon-na hold you?

2 2 1 2 3
Who’s gon-na hold you,

2 1 2 2
gon-na know you,

2 1 2 3
gon-na troll you?

1’ 5
Ooh, ooh,

5 3
ooh, ooh.)

3’ 3’ 2’ 2’ 2’ 2’ 1’ 2’ 3’ 1’ 1’
You left your type-writ-er at my a-part-ment,

3’ 3’ 2’ 2’ 2’ 2’ 2’ 3’ 1’ 1’
straight from the Tor-tured Po-ets De-part-ment.

2’ 1’ 3’ 2’ 1’
Who else de-codes you?

2’ 1’
(Ooh, ooh.

5 4
Ooh, ooh.

1’ 5
Ooh, ooh.)

  • Taylor Swift
  • Sad
  • Chill Angels

Please rate this tab

Click on a star to rate it!

Average rating / 5. Vote count:

No votes so far! Be the first to rate this post.


PLAY A RANDOM SONG

  • Elena Request Kalimba Tab: 1. Four Seasons, Winter, First Movement (Allegro non molto) – Antonio Vivaldi 2. https://youtu.be/6El8B8hJ4Sg?si=N1DUER0SSgYVISWx 3. This song is special to… Sep 1, 20:15
  • Tabbetha Colwell Request Kalimba Tab: Kids will be Skeletons by Mogwai https://www.youtube.com/watch?v=cHXohV72Tf0 I have listened to this song for years and wish to learn how… Sep 1, 18:13
  • Kezia Vera Request Kalimba Tab: I would like to request a song to be play in Kalimba the song is “Ikaw Nga” by South Border.… Sep 1, 08:52
  • Faceless Request Kalimba Tab: The Trial of the Bow from movie The Odyssey https://youtu.be/a5IQCGdd_m8?si=hQwnzhJaBcRCFKSH 2:35 that part appears many times in the movie Aug 31, 19:59
  • Kevin Request Kalimba Tab: Hi there, I’m new to transcribing and converting tabs. I’m trying to get an accurate Kalimba tab sheet for Flogging… Aug 30, 15:59

(See More)

Couldn’t find a kalimba tab for a song? Submit a request.

How To Read The Tabs

SOLFEGE DO RE MI FA SO LA TI
Letter Notes C D E F G A B
Number Notes 1 2 3 4 5 6 7
-A dot above a musical note (ex: 1° 2°°) raises it to a higher octave.
-Notes inside a parentheses (ex: (135) ) are played together (slide/glissando)
-The tabs/notes posted on this site are designed to be played on kalimba, but you can also play it on other instruments like: piano ,flute, recorder, ocarina , glockenspiel, clarinet, xylophone, otamatone, and etc. Simply use our online kalimba tab converter to convert the tabs/notes to SOLFEGE (do re mi) or letter notation (C D E).

Leave a Reply

Your email address will not be published. Required fields are marked *