1′ 3′ 5′ (5’3′) 4′ 3′ 2′ 2′ (3’7)
You booked the night train for a rea-son,

1′ 1′ 1′ 2′ (3’1′) 2′ 1′ 4
so you could sit there in this hurt.

3′ 5′ (5’3′) 4′ 3′ 2′ 2′ 3′
Bust-ling crowds or si-lent sleep-ers,

1′ 2′ (3’1′) 2′ 1′ 4
you’re not sure which is worse.

1′ 1′ 1′
Be-cause I

1′ (1’35) 2′ 1′ 7 1′
dropped your hand while danc-ing,

1′ 1′ 2′ 1′ 7 1′
left you out there stand-ing

1′ 1′ 1′ 2′ (1’6) 7 1′
crest-fal-len on the land-ing.

4 4 (31) 3
Cham-pagne prob-lems.

1′ 1′ (1’35) 2′ 1′ 7 1′
Your mom’s ring in your pock-et,

1′ 1′ 1′ 2′ (1’5) 7 1′
my pic-ture in your wal-let.

1′ 1′ 1′ 2′ (1’6) 7 1′
Your heart was glass; I dropped it.

4 4 (31) 3
Cham-pagne prob-lems.

1′ 3′ 5′ (5’3′) 4′ 3′ 2′ 2′ (3’7)
You told your fam-‘ly for a rea-son;

1′ 2′ (3’1′) 2′ 1′ 4
you could-n’t keep it in.

1′ 3′ 5′ (5’3′) 4′ 3′ 2′ 2′ 3′
Your sis-ter splashed out on the bot-tle;

1′ 2′ (3’1′) 2′ 1′ 4 4
now no one’s cel-e-brat-ing.

1′ 1′ (1′ 35) 2′ 1′ 7 1′
Dom Perig-non, you brought it,

1′ 1′ 1′ 2′ (1’5) 7 1′
no crowd of friends ap-plaud-ed.

1′ 1′ 1′ 2′ (1’6) 7 1′
Your home-town skep-tics called it

4 4 (31) 3
cham-pagne prob-lems.

1′ 1′ (1’35) 2′ 1′ 7 1′
You had a speech; you’re speech-less.

1′ 1′ 1′ 2′ (1’5) 7 1′
Love slipped be-yond your reach-es,

1′ 1′ 1′ 1′ 2′ (1’6) 7 1′
and I could-n’t give a rea-son.

4 4 (31) 3
Cham-pagne prob-lems.

1′ 2′ 3′ 2′ 1′ 1′ 2′ 3′ 2′
Your Mi-das touch on the Che-vy door,

1′ 2′ 3′ 2′ 1′ 1′ 2′ 3′ 2′
No-vem-ber flush and your flan-nel cure.

1′ 2′ 2′ 2′ 2′ 2′ 1′
“This dorm was once a mad-house.”

6 2′ 2′ 2′ 1′ 1′ 4′ 3′ 2′ 1′
I made a joke: “Well, it’s made for me.” How

2′ 3′ 2′ 1′ 3′ 3′ 2′
ev-er-green, our group of friends;

1′ 2′ 3′ 2′ 1′ 3′ 3′ 2′
don’t think we’ll say that word a-gain.

1′ 2′ 2′ 2′ 2′ 2′ 1′
And soon they’ll have the nerve to

2′ 2′ 2′ 1′ 4′ 3′ 1′ 1′
deck the halls that once we walked through.

(5’3′) 5′ 5′ 1′ 1′
Once for the mon-ey,

(5’3) 5′ 5′ 1′
two for the show.

1′ (5’72’) 5′ 5′ 1′ 1′
I nev-er was read-y,

1′ 1′ (4’2′) 3′ 2′
so I watch you go.

1′ 2′ 2′ (2’6) 2′ 2′ 2′ (2’6) 1′
Some-times you just don’t know the an-swer

1′ 2′ 2′ (2’6) 2′ (3’1′) 7 7 1′
till some-one’s on their knees and asks you.

1′ 2′ 3′ 2′ 1′ 1′ 2′ 3′ 2′
“She would-‘ve made such a love-ly bride.

1′ 1′ 2′ 3′ (3’57) 2′ 1′ (2’7) 3′ 1′
What a shame she’s f**ked in the head,” they said.

1′ 2′ 3′ 3′ (3’1′) 2′ 1′ 1′
But you’ll find the real thing in-stead.

1′ 2′ 3′ 3′ (3’1′) 2′ 1′ 1′ 2′ 1′
She’ll patch up the tap-es-try that I shred,

1′ 1′ (1’35) 2′ 1′ 7 1′
and hold your hand while danc-ing,

1′ 1′ 2′ (1’5) 7 1′
nev-er leave you stand-ing

1′ 1′ 1′ 2′ (1’6) 7 1′
crest-fal-len on the land-ing

4 4 4 (31) 3
with cham-pagne prob-lems.

1′ 1′ (1’35) 2′ 1′ 7 1′
Your mom’s ring in your pock-et,

1′ 1′ 1′ 2′ (1’5) 7 1′
her pic-ture in your wal-let,

1′ 1′ 1′ (1’6) 2′ 1′ 7 1′
and you won’t re-mem-ber all my

4 4 (31) 3
cham-pagne prob-lems.

• Artist: Taylor Swift
• Kalimba Brand: Chill Angels

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PLAY A RANDOM SONG

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How To Read The Tabs

SOLFEGE	DO	RE	MI	FA	SO	LA	TI
Letter Notes	C	D	E	F	G	A	B
Number Notes	1	2	3	4	5	6	7

-A dot above a musical note (ex: 1° 2°°) raises it to a higher octave.
-Notes inside a parentheses (ex: (135) ) are played together (slide/glissando)
-The tabs/notes posted on this site are designed to be played on kalimba, but you can also play it on other instruments like: piano ,flute, recorder, ocarina , glockenspiel, clarinet, xylophone, otamatone, and etc. Simply use our online kalimba tab converter to convert the tabs/notes to SOLFEGE (do re mi) or letter notation (C D E).