3’ 3’ 5’ (5’3’) 2’ 2’ 2’ 2’ (75) 7 7 7 6 7 1’
I have this thing where I get old-er but just nev-er wis-er.

3’ 3’ 5’ (5’3’) 2’ 2’ 2’ (2’7)
Mid-nights be-come my af-ter-noons.

3’ 3’ 5’ (5’3’) 2’ 2’ 2’ 2’ 7 7
When my de-pres-sion works the grave-yard shift,

6 7 6 7 1’ 3’ 3’ 5’ (5’3’) 2’ 2’ 2’ (2’7)
all of the peo-ple I’ve ghost-ed stand there in the room.

1’ 3’ 5’ 5’ 5’ (5’3’) 4’ 4’ 3’ (3’1’) 2’
I should not be left to my own de-vic-es,

2’ 2’ 2’ 2’ 1’ 6 1’ 1’
they come with pric-es and vic-es,

5 2’ 2’ 2’ 2’ 1’
I end up in cri-sis.

5’ 5’ 5’ 6’ (5’2’) 4’ 3’
(Tale as old as time.)

5’ 5’ 5’ (5’3’) 4’ 3’ 3’ 2’ 2’ (2’7)
I wake up scream-ing from dream-ing one day,

2’ 2’ 2’ 2’ 2’ (1’6)
I’ll watch as you’re leav-ing

5 2’ 2’ 2’ 2’ 3’ 1’ (1’5)
‘cause you got tired of my schem-ing.

5’ 5’ 6’ (5’2’)
(For the last time.)

1’ (3’1’5)
It’s me,

(3’1’5)
hi,

2′ 2′ 2’ 2′ (1’61) 1′
I’m the prob-lem, it’s me.

5 (3’1’5)
At tea-

(3’1’5)
time,

2′ 2′ 2’ 2′ (1’61) 1′
ev-’ry-bod-y a-grees.

3′ (3’1’5) 3’ 3’ 3′ (3’1’5) 3’ (2’7)
I’ll stare di-rect-ly at the sun,

2’ 2’ 2’ (2’4) 2’ 2’ 1’
but nev-er in the mir-ror.

(1’5) 5 5 5 5 4
It must be ex-haust-ing

4 3 2 2 2 2 2 2 2 1
al-ways root-ing for the an-ti-he-ro.

3’ 3’ 5’ (5’3’) 2’ 2’ 2’ 2’ (75) 7 7 7 6 7 1’
Some-times I feel like ev-’ry-bod-y is a sex-y ba-by

3’ 3’ 5’ (5’3’) 2’ 2’ 2’ (2’7)
and I’m a mon-ster on the hill,

3’ 3’ 5’ (5’3’) 2’
too big to hang out,

2’ 2’ 2’ (75) 7 6 7 6 7 1’
slow-ly lurch-ing t’ward your fa-v’rite cit-y.

3’ 3’ 5’ (5’3’) 2’ 2’ 2’ (2’7)
Pierced through the heart, but nev-er killed.

5’ 5’ 5’ (5’3’) 4’ 4’ 3’ 3’ 2’ 2’
Did you hear my co-vert nar-cis-sis-m

2’ 2’ 2’ 1’ 6 1’ 1’ 5
I dis-guise as al-tru-is-m

2’ 2’ 2’ 2’ 1’ 1’ 1’
like some kind of con-gress-man?

5’ 5’ 5’ (5’3’) 4’ 3’ 3’ (2’7) 2’ 2’
I wake up scream-ing from dream-ing one day,

2’ 2’ 2’ 2’ 2’ (1’6)
I’ll watch as you’re leav-ing

5 2’ 2’ 2’ 2’ 3’ 1’ (1’5)
and life will lose all its mean-ing.

5’ 5’ 6’ (5’2’)
(For the last time.)

1’ (3’1’5)
It’s me,

(3’1’5)
hi,

2′ 2′ 2’ 2′ (1’61) 1′
I’m the prob-lem, it’s me.

5 (3’1’5) (3’1’5)
At tea- time,

2′ 2′ 2’ 2′ (1’61) 1′
ev-’ry-bod-y a-grees.

3’ 3’ 3’ (3’1) 3’ 3’ 3’ (2’7)
I’ll stare di-rect-ly at the sun,

2’ 2’ 2’ (2’4) 2’ 2’ 1’
but nev-er in the mir-ror.

(1’5) 5 5 5 5 4
It must be ex-haust-ing

4 3 2 2 2 2 2 2 2 1
al-ways root-ing for the an-ti-he-ro.

3’ 3’ 5’ (5’3’)
I have this dream,

2’ 2’ 2’ 2’ (75) 7 6 7 6 7 1’
my daught-ter-in-law kills me for the mon-ey

3’ 3’ 5’ (5’3’) 2’ 2’ 2’ (2’7)
she thinks I left them in the will.

3’ 3’ 5’ (5’3’) 2’ 2’ 2’ 2’ 7
The fam-’ly gath-ers ‘round and reads it

7 6 7 6 7 1’
and then some-one screams out,

3’ 3’ 5’ (5’3’) 2’ 2’ 2’ (2’7)
“She’s laugh-ing up at us from hell!”

5 (1’61)
It’s me,

1’
hi,

(75) 7 7 7 7 (63)
I’m the prob-lem, it’s me.

5 (1’61)
It’s me,

1’
hi,

7 7 7 5 5 (53)
I’m the prob-lem, it’s me.

2′ (1’6)
It’s me,

(1’35)
hi,

2′ 2′ (2’6) 1′ 1′ 1′
ev-ry-bod-y a-grees,

2′ 2′ (2’46) 2′ 1′ (1’35)
ev-’ry-bod-y a-grees.

(1’63) (3’1’5)
It’s me,

(3’1’5)
hi,

(2’7) 2’ 2’ 2’ (1’6) 1’
I’m the prob-lem, it’s me.

5 (3’1’5)
At tea-

(3’1’5)
time,

(2’7) 2’ 2’ 2’ (1’63) 1’
ev-’ry-bod-y a-grees.

3’ (3’1’5) 3’ 3’ 3’ 3’ 3’ (2’7)
I’ll stare di-rect-ly at the sun,

2’ 2’ 2’ (2’4) 2’ 2’ 1’
but nev-er in the mir-ror.

(1’5) 5 5 5 5 4
It must be ex-haust-ing

4 3 2 2 2 2 2 2 2 1
al-ways root-ing for the an-ti-he-ro.

• Artist: Taylor Swift

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PLAY A RANDOM SONG

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How To Read The Tabs

SOLFEGE	DO	RE	MI	FA	SO	LA	TI
Letter Notes	C	D	E	F	G	A	B
Number Notes	1	2	3	4	5	6	7

-A dot above a musical note (ex: 1° 2°°) raises it to a higher octave.
-Notes inside a parentheses (ex: (135) ) are played together (slide/glissando)
-The tabs/notes posted on this site are designed to be played on kalimba, but you can also play it on other instruments like: piano ,flute, recorder, ocarina , glockenspiel, clarinet, xylophone, otamatone, and etc. Simply use our online kalimba tab converter to convert the tabs/notes to SOLFEGE (do re mi) or letter notation (C D E).