3′ 3′ 3′ 5′ 5′ 2′ 2′ 2′ 2′ 2′ (2’46) 2′
Ba-by love, I think I’ve been a lit-tle too kind.

5 5 3′ 2′ 2′ 2′ 2′ 2′ 2′ 2′ (2’46) 2′ 7 (63)
Did-n’t no-tice you walk-ing all o-ver my peace of mind

5 5 3′ 2′ 2′ 2′ 2′ 2′ 2′ (1’35)
in the shoes I gave you as a pres-ent.

1′ 1′ 2′ 2′ 3′ 1′ 2′ 3′ 1′ 1′ (2’46) 2′ 2′ 2′
Put-ting some-one first on-ly works when you’re in their top five.

1′ 1′ 2′ (3’1′)   2′ 2′ 2′ (2’7) 1′ 1′
And by the way, I’m go-ing out to-night.

1′ 2′ 2′ 2′ 2′ 2′ 3′
Best be-lieve I’m still be-jeweled

2′ 2′ 2′ 2′ 2′ (3’1′)
when I walk in the room.

2′ 2′ 2′ 1′ 1′ 5 5 2′ (1’3)
I can still make the whole place shim-mer.

2′ 2′ 2′ 2′ 2′ 3′
And when I meet the band,

2′ 2′ 2′ 2′ 2′ 2′ (3’1′)
they ask, “Do you have a man?”

2′ 2′ 2′ 1′ 1′ 5 5 2′ (1’3)
I could still say, “I don’t re-mem-ber.”

5′ 5′ 5′ 5′ 4′ 4′ 3′ 2′ 2′
Fa-mil-i-ar-i-ty breeds con-tempt.

2′ 2′ 2′ 2′ 2′ (2’6) 2′
Don’t put me in the base-ment

2′ 2′ 2′ 2′ (2’7) 2′ 1′ 2′ 3′
when I want the pent-house of your heart.

5′ (3’1′) 5’  (5’2′) (5’57)
Dia-monds in my eyes,

2′ 2′ 1′ 2′ (3’1′)  2′ (2’7) 1′ 2′ 3’   (2’75)
I pol-ish up real, I pol-ish up real  nice.

(7’2′)
Nice!

3′ 3′ 3′ 5′ 5′ 2′ 2′ 2′ (2’46) 2′ 2′ 2′
Ba-by boy, I think I’ve been too good of a girl,

7 7 7 7 (1’5)
too good of a girl.

1′ 3′ 2′ 2′ 2′ (2’46) 2′
Did all the ex-tra credit,

2′ 2′ 2′ 1′ 1′ 1′ (1’63)
then got grad-ed on a curve.

5 3′ 2′ 2′ 2′ 2′ 2′ 2′ 1′
I think it’s time to teach some les-sons.

1′ 1′ 1′ 2′ (3’1’5) 1′ 2′ 3′
I made you my world, have you heard,

2′ 2′ 2′ 2′ 1′ (1’63)
I can re-claim the land.

5 1′ 2′ (3’1′)   5 2′ (2’7) 2′ 1′ (1’5)
And I miss you, but I miss spar-kl-ing.

1′ 2′ 2′ 2′ 2′ 2′ 3′
Best be-lieve I’m still be-jeweled

2′ 2′ 2′ 2′ 2′ (3’1′)
when I walk in the room.

2′ 2′ 2′ 1′ 1′ 5 5 2′ (1’3)
I can still make the whole place shim-mer.

2′ 2′ 2′ 2′ 2′ 3′
And when I meet the band,

2′ 2′ 2′ 2′ 2′ 2′ (3’1′)
they ask, “Do you have a man?”

2′ 2′ 2′ 1′ 1′ 5 5 2′ (1’3)
I could still say, “I don’t re-mem-ber.”

5′ 5′ 5′ 5′ 4′ 4′ 3′ 2′ 2′
Fa-mil-i-ar-i-ty breeds con-tempt.

2′ 2′ 2′ 2′ 2′ (2’6) 2′
Don’t put me in the base-ment

2′ 2′ 2′ 2′ (2’7) 2′ 1′ 2′ 3′
when I want the pent-house of your heart.

5′ (3’1′) 5’  (5’2′) (5’57)
Dia-monds in my eyes,

2′ 2′ 1′ 2′ (3’1′)  2′ (2’7) 1′ 2′ 3’   (2’7)
I pol-ish up real, I pol-ish up real  nice.

(7’2′)
Nice!

3′ 3′ 2′ 2′ 4′ 4′
Sap-phire tears on my face,

3′ 3′ 6 6 7 7 (5’3’1′) (2’7) (3’1′)
sad-ness be-came my whole sky.

5 3′ 3′ 2′ 2′ 4′ 4′ 3′ 3′
But some guy said my au-ra’s moon-stone,

6 6 7 7 (5’3’1′)
just ’cause he was high.

2′ 2′ 2′ 2′ 2′ 3’        7 7 7 1’     5 6 6 6
And we’re dancing all night, and you can try to change my mind

5 5 5 5 5 5 4 3
but you might have to wait in line.

5′ 5′ 5′ 4′ 3′ 3’      5′ 5′ 3’    5′ 3’  6′ 4′ (5’2′)
What’s a girl gon-na do, a dia-mond’s got-ta shine.

1′ 2′ 2′ 2′ 2′ 2′ 3′
Best be-lieve I’m still be-jeweled

2′ 2′ 2′ 2′ 2′ (3’1′)
when I walk in the room.

2′ 2′ 2′ 1′ 1′ 5 5 2′ (1’3)
I can still make the whole place shim-mer.

2′ 2′ 2′ 2′ 2′ 3′
And when I meet the band,

2′ 2′ 2′ 2′ 2′ 2′ (3’1′)
they ask, “Do you have a man?”

2′ 2′ 2′ 1′ 1′ 5 5 2′ (1’3)
I could still say I don’t re-mem-ber.

5′ 5′ 5′ 5′ 4′ 4′ 3′ 2′ 2′
Fa-mil-i-ar-i-ty breeds con-tempt.

2′ 2′ 2′ 2′ 2′ (2’6) 2′
Don’t put me in the base-ment

2′ 2′ 2′ 2′ (2’7) 2′ 1′ 2′ 3′
when I want the pent-house of your heart.

5′ (3’1′) 5’  (5’2′) (5’57)
Dia-monds in my eyes,

2′ 2′ 1′ 2′ (3’1′)  2′ (2’7) 1′ 2′ 3’  (2’75)
I pol-ish up real, I pol-ish up real nice.

2′ 2′ 2′ 2′ 2′ 3’        7 7 7 1’     5 6 6 6
And we’re danc-ing all night and you can try to change my mind

5 5 (52) 5 5 (52) 4 (31)
but you might have to wait in line.

1” 1” 1” 5′ 5′ (5’2′)
What’s a girl gon-na do,

1” 1” (1”1’3′) 5′ 5′ 5′ 4′ 3′
what’s a girl gon-na do?

2′ 2′ 1′ (2’75) 3′
I pol-ish up nice.

1′ 2′ 2′ 2′ 2′ 2′ 3′
Best be-lieve I’m still be-jeweled

2′ 2′ 2′ 2′ 2′ (3’1′)
when I walk in the room.

2′ 2′ 2′ 1′ 1′ 5 5 2′ (1’35)
I can still make the whole place shim-mer.

• Artist: Taylor Swift
• Mood: Bright
• Kalimba Brand: Chill Angels

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PLAY A RANDOM SONG

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How To Read The Tabs

SOLFEGE	DO	RE	MI	FA	SO	LA	TI
Letter Notes	C	D	E	F	G	A	B
Number Notes	1	2	3	4	5	6	7

-A dot above a musical note (ex: 1° 2°°) raises it to a higher octave.
-Notes inside a parentheses (ex: (135) ) are played together (slide/glissando)
-The tabs/notes posted on this site are designed to be played on kalimba, but you can also play it on other instruments like: piano ,flute, recorder, ocarina , glockenspiel, clarinet, xylophone, otamatone, and etc. Simply use our online kalimba tab converter to convert the tabs/notes to SOLFEGE (do re mi) or letter notation (C D E).