(3’3) 1′ 3′ 1′ (1’1)    (3’3) 1′ 1′ 1′ (3’5)
Sum-mer went away, still the yarn-ing stays.

3′ 3′ 3′ (3’3) 2′ 3′ 4′ 3′ (53)
I play it cool with the best of them.

(3’3) 1′ 3′ 1′ (1’1)  1′ (3’3) 1′ 1′ 1′ (3’5)
I wait pa-tient-ly. He’s gon-na no-tice me.

3′ 3′ (3’3) 2′ 3′ 4′ 3′ (53)      7 1′ (75) 6 (1’1)
It’s o-kay, we’re the best of friends, an-y-way.

1′ (3’3) 1′ 3′ 1′ (1’1)   1′ (3’3) 1′ 1′ 1′ (3’5)
I hear it in your voice: you’re smok-ing with your boys.

1′ 3′ 3′ (3’3) 2′ 3′ 4′ 3′ (53)
I touch my phone as if it’s your face.

5 (3’3) 1′ 3′ 1′ (1’1)     1′ (3’3) 1′ 1′ 1′ (3’5)
I did-n’t choose this town. I dream of get-ting out.

3′ 3′ (3’3) 2′ 3′ 4′ 3′ (61)         7 1′ (75) 6 (1’1)
There’s just one who could make me stay all my days.

5 7 1′ 1′ (3’3) 7 7 1′ 1′ (3’5)
From sprin-kler splash-es to fire-place ash-es,

7 7 1′ (1’1) 1′ 3′ (4’1′) 3′ (61)
I wait-ed ag-es to see you there.

5 7 1′ 1′ (3’3) 7 7 1′ 1′ (3’5)
I search the par-ty of bet-ter bod-ies,

7 1′ (1’1)   1′ 3′ (4’6) 3′ (61)
just to learn that you nev-er cared.

1′ 2′ 2′ (2’7) 1’      1′ 1′ 2′ 2′ (1’1)
You’re on your own, kid. You al-ways have been.

1′ (3’3) 1′ 3′ 1′ (1’1)    (3’3) 1′ 1′ 1′ (3’5)
I see the great es-cape. So long, Dai-sy May.

3′ 3′ (3’3) 3′ 2′ 3′ 4′ 3′ (53)
I picked the pet-als: he loves me not.

(3’3) 1′ 3′ 1′ (1’1)        (3’3) 1′ 1′ 1′ (3’5)
Some-thing dif-f’rent bloomed: writ-ing in my room.

3′ 3′ 3′ (3’3) 2′ 3′ 4′ 3′ (53)
I play my songs in the park-ing lot.

5 7 1′ (75) 6 (1’1)
I’ll run a-way.

5 7 1′ 1′ (3’3) 7 7 1′ 1′ (3’5)
From sprin-kler splash-es to fire-place ash-es,

7 7 1′ (1’1) 1′ 3′ (4’1′) 3′ (61)
I called a tax-i to take me there.

5 7 1′ 1′ (3’3) 7 7 1′ 1′ (3’5)
I search the par-ty of bet-ter bod-ies,

7 1′ (1’1)   1′ 3′ (4’6) 3′ (61)
just to learn that my dreams are-n’t rare.

1′ 2′ 2′ (2’7) 1’      1′ 1′ 2′ 2′ (1’1)
You’re on your own, kid. You al-ways have been.

5 7 1′ 1′ (3’3) 7 7 1′ 1′ (3’5)
From sprin-kler splash-es to fire-place ash-es,

7 7 1′ (1’1) 1′ 3′ (4’1′) 3′ (61)
I gave my blood, sweat, and tears for this.

5 7 1′ 1′ (3’3) 7 7 1′ 1′ (3’5)
I host-ed par-ties and starved my bod-y

7 7 1′ (1’1) 1′ 3′ (4’6) 3′ (61)
like I’d be saved by a per-fect kiss.

5 7 1′ 1′ (3’3) 7 7 1′ 1′ (3’5)
The jokes were-n’t fun-ny. I took the mon-ey.

7 7 1′ (1’1) 1′ 3′ (4’1′) 3′ (61)
My friends from home don’t know what to say.

5 7 1′ 1′ (3’3) 7 7 1′ 1′
I looked a-round in a blood-soaked gown,

(3’5) 7 7 1′ (1’1)    1′ 3′ (4’6) 3′ (61)
and I saw some-thing they can’t take a-way.

5 5′ 5′ 5′ 4′ 3′ 2′
‘Cause there were pag-es turned

2′ 3′ 4′ 4′ 4′ (3’5)
with bridg-es burned.

1′ 6 1′ 1′ (1’13) 1′ 3′ (4’1′) 3’ (641)
Ev-‘ry-thing you lose is a step you take.

5 5′ 5′ 5′ 4′ 3′ 2′ 2′
So, make the friend-ship brace-lets,

2′ 3′ 4′ 4′ 4′ 4′ (3’5)
take the mo-ment and taste it.

6 1′ 1′ (1’13) 1′ 3′ (4’1′) 3′ (641)
You’ve got no rea-son to be a-fraid.

1′ 2′ 2′ (2’4) 1′
You’re on your own, kid.

1′ 2′ 2′ 2′ (1’3)
Yeah, you can face this.

1′ 2′ 2′ (2’4) 1′ 1′ 2′ 2′ 2’ (1’13)
You’re on your own, kid. You al-ways have been.

• Artist: Taylor Swift
• Kalimba Brand: Chill Angels

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PLAY A RANDOM SONG

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How To Read The Tabs

SOLFEGE	DO	RE	MI	FA	SO	LA	TI
Letter Notes	C	D	E	F	G	A	B
Number Notes	1	2	3	4	5	6	7

-A dot above a musical note (ex: 1° 2°°) raises it to a higher octave.
-Notes inside a parentheses (ex: (135) ) are played together (slide/glissando)
-The tabs/notes posted on this site are designed to be played on kalimba, but you can also play it on other instruments like: piano ,flute, recorder, ocarina , glockenspiel, clarinet, xylophone, otamatone, and etc. Simply use our online kalimba tab converter to convert the tabs/notes to SOLFEGE (do re mi) or letter notation (C D E).